2005 - WAEC Literature Past Questions and Answers - page 3

UNSEEN PROSE AND POETRY

Read the passage below and answer the question

Tell me not (sweet) I am unkinde,
That from the Nunnerie
of thy chaste breast and quiet minde,
To warre and Armes I flie.

True, a new Mistresse now I chase,
The first Foe in the field;
And with a stronger faith imbrace,
A Sword, a Horse, a Shield.
Yet this Inconstancy is such,
As you too shall adore;
I could not love thee (Deare) so much,
Lov'd I not Honour more.

The rhyme pattern of the poem is

UNSEEN PROSE AND POETRY

Read the passage below and answer the question

Tell me not (sweet) I am unkinde,
That from the Nunnerie
of thy chaste breast and quiet minde,
To warre and Armes I flie.

True, a new Mistresse now I chase,
The first Foe in the field;
And with a stronger faith imbrace,
A Sword, a Horse, a Shield.
Yet this Inconstancy is such,
As you too shall adore;
I could not love thee (Deare) so much,
Lov'd I not Honour more.

''Inconstancy'' in the poem implies that the

UNSEEN PROSE AND POETRY

Read the passage below and answer the question

Tell me not (sweet) I am unkinde,
That from the Nunnerie
of thy chaste breast and quiet minde,
To warre and Armes I flie.

True, a new Mistresse now I chase,
The first Foe in the field;
And with a stronger faith imbrace,
A Sword, a Horse, a Shield.
Yet this Inconstancy is such,
As you too shall adore;
I could not love thee (Deare) so much,
Lov'd I not Honour more.

The theme of the poem is the pursuit of

Read the passage below and answer the question

Stella had to do her midweek shopping. There were four people before her in the queue. She watched the blond at the counter striking feverishly away at the numbers on the cold, light-flickering machine. There seemed to be a raging war between two mechanical contraptions, one, robot-like and the other stationary, but able to respond to the extent of punching, by sharp flickers of red light. It was an all consuming battle, as a swift hand positioned the price label of the ceaseless flow of item on the coneyor belt and the right delivered the punches. The intending owners were more unnoticed onlookers. Anyway, there is a belated recognition of them in ''thank you, call again balance sheet. '' It's all so mechanical, she thought. I mean, any creature-baboon, extraterrestial being or anything - could as well receive the same treatment as long as the conditions are met- ''bring to the counter, labelled items from the shelves.'' Where is the human touch? She wondered.

The dominant literary device used in the passage is

Read the passage below and answer the question

Stella had to do her midweek shopping. There were four people before her in the queue. She watched the blond at the counter striking feverishly away at the numbers on the cold, light-flickering machine. There seemed to be a raging war between two mechanical contraptions, one, robot-like and the other stationary, but able to respond to the extent of punching, by sharp flickers of red light. It was an all consuming battle, as a swift hand positioned the price label of the ceaseless flow of item on the coneyor belt and the right delivered the punches. The intending owners were more unnoticed onlookers. Anyway, there is a belated recognition of them in ''thank you, call again balance sheet. '' It's all so mechanical, she thought. I mean, any creature-baboon, extraterrestial being or anything - could as well receive the same treatment as long as the conditions are met- ''bring to the counter, labelled items from the shelves.'' Where is the human touch? She wondered.

''Where is the human touch?'' conveys an impression of

Read the passage below and answer the question

Stella had to do her midweek shopping. There were four people before her in the queue. She watched the blond at the counter striking feverishly away at the numbers on the cold, light-flickering machine. There seemed to be a raging war between two mechanical contraptions, one, robot-like and the other stationary, but able to respond to the extent of punching, by sharp flickers of red light. It was an all consuming battle, as a swift hand positioned the price label of the ceaseless flow of item on the coneyor belt and the right delivered the punches. The intending owners were more unnoticed onlookers. Anyway, there is a belated recognition of them in ''thank you, call again balance sheet. '' It's all so mechanical, she thought. I mean, any creature-baboon, extraterrestial being or anything - could as well receive the same treatment as long as the conditions are met- ''bring to the counter, labelled items from the shelves.'' Where is the human touch? She wondered.

The narrative technique used in the passage is

Read the passage below and answer the question

Stella had to do her midweek shopping. There were four people before her in the queue. She watched the blond at the counter striking feverishly away at the numbers on the cold, light-flickering machine. There seemed to be a raging war between two mechanical contraptions, one, robot-like and the other stationary, but able to respond to the extent of punching, by sharp flickers of red light. It was an all consuming battle, as a swift hand positioned the price label of the ceaseless flow of item on the coneyor belt and the right delivered the punches. The intending owners were more unnoticed onlookers. Anyway, there is a belated recognition of them in ''thank you, call again balance sheet. '' It's all so mechanical, she thought. I mean, any creature-baboon, extraterrestial being or anything - could as well receive the same treatment as long as the conditions are met- ''bring to the counter, labelled items from the shelves.'' Where is the human touch? She wondered.

The dominant mood in the passage is one of

Read the passage below and answer the question

Stella had to do her midweek shopping. There were four people before her in the queue. She watched the blond at the counter striking feverishly away at the numbers on the cold, light-flickering machine. There seemed to be a raging war between two mechanical contraptions, one, robot-like and the other stationary, but able to respond to the extent of punching, by sharp flickers of red light. It was an all consuming battle, as a swift hand positioned the price label of the ceaseless flow of item on the coneyor belt and the right delivered the punches. The intending owners were more unnoticed onlookers. Anyway, there is a belated recognition of them in ''thank you, call again balance sheet. '' It's all so mechanical, she thought. I mean, any creature-baboon, extraterrestial being or anything - could as well receive the same treatment as long as the conditions are met- ''bring to the counter, labelled items from the shelves.'' Where is the human touch? She wondered.

''.....a swift left hand....and the right hand delivered the punches'' illustrates

WILLIAM SHAKESPEARE: The Merchant of Venice

Read the extract below and answer the question

If I can catch him once upon the hip,
I will feed fat the ancient grudge I bear him.
He hates our sacred nation, and he rails,
Even there where merchants most do congregate,
On me, my bargains, and my well-won thrift,
Which he calls interest;......
(Act 1 Scene Three, lines 39-)


The speaker is

WILLIAM SHAKESPEARE: The Merchant of Venice

Read the extract below and answer the question

If I can catch him once upon the hip,
I will feed fat the ancient grudge I bear him.
He hates our sacred nation, and he rails,
Even there where merchants most do congregate,
On me, my bargains, and my well-won thrift,
Which he calls interest;......
(Act 1 Scene Three, lines 39-)


The extract is an example of