1990 - JAMB Literature Past Questions and Answers - page 1
This question is based on Wole Soyinka's The Lion and the Jewel.
Lakunel is presented as a
This question is based on Wole Soyinka's The Lion and the Jewel.
...I am the twinkle of a Jewel
But he is the hind-quarters of a lion!...'
These lines suggest that
This question is based on Wole Soyinka's The Lion and the Jewel.
The central theme of the play is the
This question is based on Wole Soyinka's The Lion and the Jewel.
'...But there have been
No new reads cut by his servants
No new cots woven..'
It can be inferred from the above lines that
This question is based on Wole Soyinka's The Lion and the Jewel.
'...He risked his life that you may boast
A warrior-hunter for your lord...But you-
You sell him to the rhyming rabble
Gloating in your disloyalty...
In these lines the 'rhyming rabble' refers to
This question is based on George Bernard Shaw's Arms and the Man .
Petkoff [grinning] 'Sergius: tell Catherine that queer story his friend told us about how he escaped after Slivnitza. You remember.
About his being hid by two women'
Since the phrase 'two women in the above extract refers to Petkoff's own daughter and wife, his grinning is a case of
This question is based on George Bernard Shaw's Arms and the Man .
In what particular way did Raina demonstrate that she had fallen in love with Captain Bluntschli by the end of their first meeting?
This question is based on George Bernard Shaw's Arms and the Man .
'He did it like an operatic tenor. A regular handsome fellow, with flashing eyes and lovely moustache, shouting his war-cry and charging like Don Quixote at the windmills...'
This account of an important battle in the play carries a tone of
This question is based on George Bernard Shaw's Arms and the Man .
The way Louka carries out her duties as a maid at the Petkoff's household can best be described as
This question is based on selected poems from Wole Soyinka (ed.) Poems of Black Africa and D.I. Nwoga (ed.) West African Verse.
'...Tide and market come and go
And so shall your mother.'
The above lines from J.P. Clark's 'Streamside
Exchange' depict the