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2002 - WAEC Literature Past Questions and Answers - page 3

21
UNSEEN PROSE AND POETRY

The month of July crept in. The sky, like a hooded monk wore black, as in mourning, ready to shed its load. The sun was mystified while heaps of sand and dust spiralled high up in the sky, sending high and low alike scurrying into hiding. The town had never known such a downpour, it was forty-eight hours of weeping by both the heavens and the inhabitants of Olusi who lost most of their life's savings in this destructive blessing.

The month of July crept in is an example of
A
metaphor
B
synecdoche
C
imagery
D
apostrophe
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22
UNSEEN PROSE AND POETRY

The month of July crept in. The sky, like a hooded monk wore black, as in mourning, ready to shed its load. The sun was mystified while heaps of sand and dust spiralled high up in the sky, sending high and low alike scurrying into hiding. The town had never known such a downpour, it was forty-eight hours of weeping by both the heavens and the inhabitants of Olusi who lost most of their life's savings in this destructive blessing.

The expression the sky, like a hooded monk wore black, illustrates
A
symbolism
B
paradox
C
personification
D
metaphor
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23
UNSEEN PROSE AND POETRY

The month of July crept in. The sky, like a hooded monk wore black, as in mourning, ready to shed its load. The sun was mystified while heaps of sand and dust spiralled high up in the sky, sending high and low alike scurrying into hiding. The town had never known such a downpour, it was forty-eight hours of weeping by both the heavens and the inhabitants of Olusi who lost most of their life's savings in this destructive blessing.
...........high and low alike refers to the
A
rulers of the village
B
women and their children
C
chiefs and their subjects
D
rich and the poor
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24
UNSEEN PROSE AND POETRY

The month of July crept in. The sky, like a hooded monk wore black, as in mourning, ready to shed its load. The sun was mystified while heaps of sand and dust spiralled high up in the sky, sending high and low alike scurrying into hiding. The town had never known such a downpour, it was forty-eight hours of weeping by both the heavens and the inhabitants of Olusi who lost most of their life's savings in this destructive blessing.

........destructive blessing shows the use of
A
antithesis
B
oxymoron
C
apostrophe
D
parallelism
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25
Read the poem below and answer the question

Money here, Money there
Everywhere, anywhere, whatever you want, Money
But where is the Money to spend?

Children and family matters, you're useful
Health and education matters
Food and transport
Night and day
Church and Mosque
In the Lord's name you're needed everywhere
Life is tough without you
Nothing comes easy without you.

Money O! where are you?
You are as hard as a nut to crack
Without you our problems are like my mother's
Paying beads
Will you desert the commoners like that?

They search
They count
They wait
They cry
Yet their is life of beaded needs

The theme of the poem is
A
religion
B
enlightenment
C
struggle
D
hardship
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26
Read the poem below and answer the question

Money here, Money there
Everywhere, anywhere, whatever you want, Money
But where is the Money to spend?

Children and family matters, you're useful
Health and education matters
Food and transport
Night and day
Church and Mosque
In the Lord's name you're needed everywhere
Life is tough without you
Nothing comes easy without you.

Money O! where are you?
You are as hard as a nut to crack
Without you our problems are like my mother's
Paying beads
Will you desert the commoners like that?

They search
They count
They wait
They cry
Yet their is life of beaded needs

The dominant poetic devices used are
A
onomatopoeia and refrain
B
metaphor and simile
C
repetition and personification
D
pun and hyperbole
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27
Read the poem below and answer the question

Money here, Money there
Everywhere, anywhere, whatever you want, Money
But where is the Money to spend?

Children and family matters, you're useful
Health and education matters
Food and transport
Night and day
Church and Mosque
In the Lord's name you're needed everywhere
Life is tough without you
Nothing comes easy without you.

Money O! where are you?
You are as hard as a nut to crack
Without you our problems are like my mother's
Paying beads
Will you desert the commoners like that?

They search
They count
They wait
They cry
Yet their is life of beaded needs

The tone of the poem is one of
A
sadness and lamentation
B
happiness and excitement
C
apathy and non-challance
D
resignation and joy
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28
Read the poem below and answer the question

Money here, Money there
Everywhere, anywhere, whatever you want, Money
But where is the Money to spend?

Children and family matters, you're useful
Health and education matters
Food and transport
Night and day
Church and Mosque
In the Lord's name you're needed everywhere
Life is tough without you
Nothing comes easy without you.

Money O! where are you?
You are as hard as a nut to crack
Without you our problems are like my mother's
Paying beads
Will you desert the commoners like that?

They search
They count
They wait
They cry
Yet their is life of beaded needs

The use of rhetorical questions _ the poet's message
A
emphasizes
B
repeats
C
recasts
D
dramatizes
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29
Read the poem below and answer the question

Money here, Money there
Everywhere, anywhere, whatever you want, Money
But where is the Money to spend?

Children and family matters, you're useful
Health and education matters
Food and transport
Night and day
Church and Mosque
In the Lord's name you're needed everywhere
Life is tough without you
Nothing comes easy without you.

Money O! where are you?
You are as hard as a nut to crack
Without you our problems are like my mother's
Paying beads
Will you desert the commoners like that?

They search
They count
They wait
They cry
Yet their is life of beaded needs

Lines 13-15 illustrate the use of
A
metaphor
B
alliteration
C
simile
D
pun
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30
WILLIAM SHAKESPEARE: The Merchant of Venice

Read the extract below and answer the question

Not in love neither? Then let us say you are sad
Because you are not merry; and 'twere as easy
for you to laugh and leap, and say you are merry
Because you are not sad.
(Act 1 sc 1)

The speaker is
A
Portia
B
Solanio
C
Gratiano
D
Bassanio
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