2002 - WAEC Literature Past Questions and Answers - page 5
41
Read the extract below and answer the question
....very vilely in the morning when he is sober, and most vilely
in the afternoon when he is drunk. When he is best he is a little
worse than a man, and when he is worst he is a little better than a beast
(Act 1 sc ll)
The subject of discussion is the
....very vilely in the morning when he is sober, and most vilely
in the afternoon when he is drunk. When he is best he is a little
worse than a man, and when he is worst he is a little better than a beast
(Act 1 sc ll)
The subject of discussion is the
A
Prince of Morocco
B
Young Baron of England
C
Prince of Arragon
D
Duke of Saxony's nephew
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42
Read the extract below and answer the question
....very vilely in the morning when he is sober, and most vilely
in the afternoon when he is drunk. When he is best he is a little
worse than a man, and when he is worst he is a little better than a beast
(Act 1 sc ll)
The speaker is contemplating on the
....very vilely in the morning when he is sober, and most vilely
in the afternoon when he is drunk. When he is best he is a little
worse than a man, and when he is worst he is a little better than a beast
(Act 1 sc ll)
The speaker is contemplating on the
A
choice of caskets
B
loss of his fortune
C
most eligible suitor
D
outcome of the trial
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43
Read the extract below and answer the question
....very vilely in the morning when he is sober, and most vilely
in the afternoon when he is drunk. When he is best he is a little
worse than a man, and when he is worst he is a little better than a beast
(Act 1 sc ll)
The dominant literary device used in the extract is
....very vilely in the morning when he is sober, and most vilely
in the afternoon when he is drunk. When he is best he is a little
worse than a man, and when he is worst he is a little better than a beast
(Act 1 sc ll)
The dominant literary device used in the extract is
A
simile
B
paradox
C
repetition
D
oxymoron
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44
Read the extract below and answer the question
Lock up my doors, and when you hear the drum
And the vile squealing of the wry-necked fife.
Clamber not you up to the casements then
Nor thrust you up to the casements then
TO GAZE ON CHRISTIAN FOOLS WITH VARNISHED FACES.
(Act 11 sc V)
The speaker is
Lock up my doors, and when you hear the drum
And the vile squealing of the wry-necked fife.
Clamber not you up to the casements then
Nor thrust you up to the casements then
TO GAZE ON CHRISTIAN FOOLS WITH VARNISHED FACES.
(Act 11 sc V)
The speaker is
A
Gratiano
B
Shylock
C
Lorenzo
D
Solanio
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45
Read the extract below and answer the question
Lock up my doors, and when you hear the drum
And the vile squealing of the wry-necked fife.
Clamber not you up to the casements then
Nor thrust you up to the casements then
TO GAZE ON CHRISTIAN FOOLS WITH VARNISHED FACES.
(Act 11 sc V)
The dominant literary device used in the extract is
Lock up my doors, and when you hear the drum
And the vile squealing of the wry-necked fife.
Clamber not you up to the casements then
Nor thrust you up to the casements then
TO GAZE ON CHRISTIAN FOOLS WITH VARNISHED FACES.
(Act 11 sc V)
The dominant literary device used in the extract is
A
allusion
B
irony
C
symbolism
D
metonymy
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46
Read the extract below and answer the question
Lock up my doors, and when you hear the drum
And the vile squealing of the wry-necked fife.
Clamber not you up to the casements then
Nor thrust you up to the casements then
TO GAZE ON CHRISTIAN FOOLS WITH VARNISHED FACES.
(Act 11 sc V)
The person addressed is
Lock up my doors, and when you hear the drum
And the vile squealing of the wry-necked fife.
Clamber not you up to the casements then
Nor thrust you up to the casements then
TO GAZE ON CHRISTIAN FOOLS WITH VARNISHED FACES.
(Act 11 sc V)
The person addressed is
A
Bassanio
B
Antonio
C
Launcelot
D
Jessica
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47
Read the extract below and answer the question
Lock up my doors, and when you hear the drum
And the vile squealing of the wry-necked fife.
Clamber not you up to the casements then
Nor thrust you up to the casements then
TO GAZE ON CHRISTIAN FOOLS WITH VARNISHED FACES.
(Act 11 sc V)
After this scene the person addressed
Lock up my doors, and when you hear the drum
And the vile squealing of the wry-necked fife.
Clamber not you up to the casements then
Nor thrust you up to the casements then
TO GAZE ON CHRISTIAN FOOLS WITH VARNISHED FACES.
(Act 11 sc V)
After this scene the person addressed
A
portrays love for his suitor
B
informs of the loss at sea
C
elopes with her lover
D
delivers letter to a suitor
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48
Read the extract below and answer the question
Lock up my doors, and when you hear the drum
And the vile squealing of the wry-necked fife.
Clamber not you up to the casements then
Nor thrust you up to the casements then
TO GAZE ON CHRISTIAN FOOLS WITH VARNISHED FACES.
(Act 11 sc V)
The underlined expression illustrates
Lock up my doors, and when you hear the drum
And the vile squealing of the wry-necked fife.
Clamber not you up to the casements then
Nor thrust you up to the casements then
TO GAZE ON CHRISTIAN FOOLS WITH VARNISHED FACES.
(Act 11 sc V)
The underlined expression illustrates
A
alliteration
B
metaphor
C
synecdoche
D
personification
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