1991 - JAMB English Past Questions and Answers - page 10
It is a unique opportunity for her to demonstrate the reality of her faith
Her identification with the king is publicly known
 The; young are not listening to their elders, and perhaps they never have. But now it happens that, with many of them, the reason may be medical. The young aren’t listening because they can’t hear. Just as nagging parents have long suspected, otologists (hearing specialist) now report that youngsters are going deaf as a result of blasting their eardrums with electronically amplified rock ‘n’ roll.
The hearing specialists used to worry about loud noise as a cause of deafness only in industrial and military situations. They knew that eight hours of daily exposure, year in and year out, to the din of the proverbial boiler factory, would eventually result in permanent hearing loss. Riveters were particularly susceptible. Then they learned that the same thing happened to aviators. After the advent of jets, the hazard applied to the ground crews at airport and flight-deck personnel aboard aircrafts – hence the introduction of insulated noise absorbing plastic earmuffs.
In discotheques and rock ‘n’ roll joints, the trouble is not so much in the instrument themselves, or the close quarters. The blame goes to the electronic amplifiers. An old-fashion military ban, playing a march in Ramat Park, generated as much sound. But the sound was not amplified and was dissipated in the open air. A trombonist sitting in front of a tuba player might be a bit deaf for an hour or so after a concert, and then his hearing returns to normal. A microphone hooked up to a public address system did not appreciably increase the hearing hazard. What he did was multiple microphones and speakers, and the installation of internal microphones in such instruments as guitars and bouzoukis.
The young are not listening to their elders because The; young are not listening to their elders, and perhaps they never have. But now it happens that, with many of them, the reason may be medical. The young aren’t listening because they can’t hear. Just as nagging parents have long suspected, otologists (hearing specialist) now report that youngsters are going deaf as a result of blasting their eardrums with electronically amplified rock ‘n’ roll.
The hearing specialists used to worry about loud noise as a cause of deafness only in industrial and military situations. They knew that eight hours of daily exposure, year in and year out, to the din of the proverbial boiler factory, would eventually result in permanent hearing loss. Riveters were particularly susceptible. Then they learned that the same thing happened to aviators. After the advent of jets, the hazard applied to the ground crews at airport and flight-deck personnel aboard aircrafts – hence the introduction of insulated noise absorbing plastic earmuffs.
In discotheques and rock ‘n’ roll joints, the trouble is not so much in the instrument themselves, or the close quarters. The blame goes to the electronic amplifiers. An old-fashion military ban, playing a march in Ramat Park, generated as much sound. But the sound was not amplified and was dissipated in the open air. A trombonist sitting in front of a tuba player might be a bit deaf for an hour or so after a concert, and then his hearing returns to normal. A microphone hooked up to a public address system did not appreciably increase the hearing hazard. What he did was multiple microphones and speakers, and the installation of internal microphones in such instruments as guitars and bouzoukis.
'Just as nagging parents have long suspected' implies that the parents suspected that The; young are not listening to their elders, and perhaps they never have. But now it happens that, with many of them, the reason may be medical. The young aren’t listening because they can’t hear. Just as nagging parents have long suspected, otologists (hearing specialist) now report that youngsters are going deaf as a result of blasting their eardrums with electronically amplified rock ‘n’ roll.
The hearing specialists used to worry about loud noise as a cause of deafness only in industrial and military situations. They knew that eight hours of daily exposure, year in and year out, to the din of the proverbial boiler factory, would eventually result in permanent hearing loss. Riveters were particularly susceptible. Then they learned that the same thing happened to aviators. After the advent of jets, the hazard applied to the ground crews at airport and flight-deck personnel aboard aircrafts – hence the introduction of insulated noise absorbing plastic earmuffs.
In discotheques and rock ‘n’ roll joints, the trouble is not so much in the instrument themselves, or the close quarters. The blame goes to the electronic amplifiers. An old-fashion military ban, playing a march in Ramat Park, generated as much sound. But the sound was not amplified and was dissipated in the open air. A trombonist sitting in front of a tuba player might be a bit deaf for an hour or so after a concert, and then his hearing returns to normal. A microphone hooked up to a public address system did not appreciably increase the hearing hazard. What he did was multiple microphones and speakers, and the installation of internal microphones in such instruments as guitars and bouzoukis.
What is the result of being subjected to the din of the proverbial boiler factory for a long length of time? The; young are not listening to their elders, and perhaps they never have. But now it happens that, with many of them, the reason may be medical. The young aren’t listening because they can’t hear. Just as nagging parents have long suspected, otologists (hearing specialist) now report that youngsters are going deaf as a result of blasting their eardrums with electronically amplified rock ‘n’ roll.
The hearing specialists used to worry about loud noise as a cause of deafness only in industrial and military situations. They knew that eight hours of daily exposure, year in and year out, to the din of the proverbial boiler factory, would eventually result in permanent hearing loss. Riveters were particularly susceptible. Then they learned that the same thing happened to aviators. After the advent of jets, the hazard applied to the ground crews at airport and flight-deck personnel aboard aircrafts – hence the introduction of insulated noise absorbing plastic earmuffs.
In discotheques and rock ‘n’ roll joints, the trouble is not so much in the instrument themselves, or the close quarters. The blame goes to the electronic amplifiers. An old-fashion military ban, playing a march in Ramat Park, generated as much sound. But the sound was not amplified and was dissipated in the open air. A trombonist sitting in front of a tuba player might be a bit deaf for an hour or so after a concert, and then his hearing returns to normal. A microphone hooked up to a public address system did not appreciably increase the hearing hazard. What he did was multiple microphones and speakers, and the installation of internal microphones in such instruments as guitars and bouzoukis.
'The same thing happened to aviators'. This excerpt according to the passage, means The; young are not listening to their elders, and perhaps they never have. But now it happens that, with many of them, the reason may be medical. The young aren’t listening because they can’t hear. Just as nagging parents have long suspected, otologists (hearing specialist) now report that youngsters are going deaf as a result of blasting their eardrums with electronically amplified rock ‘n’ roll.
The hearing specialists used to worry about loud noise as a cause of deafness only in industrial and military situations. They knew that eight hours of daily exposure, year in and year out, to the din of the proverbial boiler factory, would eventually result in permanent hearing loss. Riveters were particularly susceptible. Then they learned that the same thing happened to aviators. After the advent of jets, the hazard applied to the ground crews at airport and flight-deck personnel aboard aircrafts – hence the introduction of insulated noise absorbing plastic earmuffs.
In discotheques and rock ‘n’ roll joints, the trouble is not so much in the instrument themselves, or the close quarters. The blame goes to the electronic amplifiers. An old-fashion military ban, playing a march in Ramat Park, generated as much sound. But the sound was not amplified and was dissipated in the open air. A trombonist sitting in front of a tuba player might be a bit deaf for an hour or so after a concert, and then his hearing returns to normal. A microphone hooked up to a public address system did not appreciably increase the hearing hazard. What he did was multiple microphones and speakers, and the installation of internal microphones in such instruments as guitars and bouzoukis.
What is the difference between an old - fashioned military band on the one hand and discotheque and rock 'n' roll joints on the other?The preparation which a study of the humanities can provide stems from three observations about education in our world of accelerating social and technological change. First, with the rate of change, we cannot hope to train our student for specific technologies. That kind of vocational education is obsolescent. By the time the specific training will have been completed, the world will have moved on.
If our education consists of narrow training, we will not be prepared to change. Second and paradoxically, what our student desire from their education is preparation for specific careers – business, engineering, medicine, computer programming and the like, but we will not be able to train them for a life-long career. Their confronting the depressed job market gives our students a certain anxiety, but the solution they seek in vocational training is not sufficient. Third, we sense in our students a narrow materialism, with the good life defined in terms of material comforts. Education then means learning to do a job which will make money. I see in this definition a limiting sense of what education and thus life offer, a definition which excludes joy and meaning. Our narrow approach to the study of the humanities responds to these three related problems. In our changing, yet narrow world, the teaching of the humanities finds one powerful justification – it teaches student how to think.
'Our world of accelerating social and technological change' means thatThe preparation which a study of the humanities can provide stems from three observations about education in our world of accelerating social and technological change. First, with the rate of change, we cannot hope to train our student for specific technologies. That kind of vocational education is obsolescent. By the time the specific training will have been completed, the world will have moved on.
If our education consists of narrow training, we will not be prepared to change. Second and paradoxically, what our student desire from their education is preparation for specific careers – business, engineering, medicine, computer programming and the like, but we will not be able to train them for a life-long career. Their confronting the depressed job market gives our students a certain anxiety, but the solution they seek in vocational training is not sufficient. Third, we sense in our students a narrow materialism, with the good life defined in terms of material comforts. Education then means learning to do a job which will make money. I see in this definition a limiting sense of what education and thus life offer, a definition which excludes joy and meaning. Our narrow approach to the study of the humanities responds to these three related problems. In our changing, yet narrow world, the teaching of the humanities finds one powerful justification – it teaches student how to think.
What is the major weakness of training students for specific technologies?