2006 - JAMB Literature Past Questions and Answers - page 3
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This question is based on Thomas Hardy's
Most of Tess'misery as a girl-mother comes from the thought of
A
herselfas the parent of a nameless child
B
the world's concern about her breaking social law
C
herself as a spouseless mother
D
her inexperience in childcare
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This question is based on Thomas Hardy's
The theme of chance is graphically demonstrated by the
A
meeting of Parson Tringham and Mr Durbeyfield
C
sudden return of Angel Clare from Brazil
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This question is based on Femi Ademiluyi'sThe New Man
The tension generated at Ipaja and Iwuya early in the novel is a result of
B
Badejo's antigraft posture
C
the campaign for parliamentary election
D
the increase in cocoa prices
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This question is based on Femi Ademiluyi'sThe New Man
After listening to the soldiers' conversation, the convict decides to
A
get in touch with his relation immediately
B
hide in the bush for one day and later contact Laoye Layeni
C
hide in the bush for one week and later contact Sade
D
contact his friends who arrange his movement
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This question is based on Femi Ademiluyi''sThe New Man
In terms of religion, the people of Ipaja can be described as
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This question is based on Ayi Kwei Armah's Fragments.
The message State Express 555 is an advertisement for
A
an imported alcoholicdrink
B
a brand of elitist cigrette
C
a newly commissioned road network
D
Gold Coast Transport Corporation
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This question is based on Ayi Kwei Armah''s Fragments.
The Baako ultimately goes mad indicates that
A
the visionary is usually a sacrificial lamb
D
the evils that men do live after them
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This question is based on Ayi Kwei Armah's Fragments.
Boateng describes the writers' studio as a place where
B
writers work hard at their writings
C
people discuss real writing
D
writing materials are sold
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This question is based on William Shakespeare's Hamlet.
The king who is poisoned in the Garden in the play-within-the-play is
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This question is based on William Shakespeare's Hamlet.
Ghost serves to
A
accelerate dramatic conflict
B
intensify dramatic conflict
C
initiate dramatic conflict
D
complicate dramatic conflict
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